As a witness of a time period and a seismograph,
who wants to suggestive awareness , Mr. Beck
denotes the photographer Mehmet Ünal.
During the opening of Ünals photo exhibition-
Hotel Germany-A journey without return- at the
Mainz city hall Mr. Beck said that Ünals approach
is like an unobtrusive observer. By viewing at the
photos of turkish fellow citizens in Germany you
can feel the photographers realationship to the
humans.
Ünal is a picture finder, who does not run behind
the motive. Without Regardless of mainstream
and pressbox- he retains without teleobjetive
with only a 50-milimeter-Objektive and therefore
only with his eyes, scenes and portraits,
that have a great validity and impressiveness.
Unal belongs to- so said the Prime minister-not
to the motorrised experts, that like hunters, that
encircle their motive and in the decisive moment
they push the release.
None of Ünals photos, to whom Kurt Beck feels
conflated , hurts the human dignity.
On none the the photos the phases are
mountebanked pilloried.
The photos of Mehmet Ünal who knows the
turkish fellow citizens in this country very well,
are for the Prime Minister deeply social, but not
in the sense of a documentation of social
circumstances, but in a sort of literal sense
of an associate member of connectivity and
with respect of the people, that forbids any
sort of pushing curiosity.